The music to Bazzar was composed by Simon Carpentier who previously worked on the Cirque du Soleil shows Zumanity, Banana Spheel. With the ever changing colors, set pieces, and the music's rhythm, tempo, and mood, The Performance Lab becomes a character itself. The Performance Lab: The stage that Bazzar takes place on.Mini Maestro: A maestro in training, he is in love with The Floating Woman.The Troupe: Made up of twenty seven artist, the Troupe is the circus acts and artists themselves.A motherly presence, she unites the troupe when things get out of control. The Floating Woman: A young trickster who embraces freedom and chaos.He tries to keep the troupe on track while in the creative process. Maestro: He is the leader of the troupe of acrobats, musicians, and dancers.Digital printing, silk screening with various foils and silicones were used to create garments. The themes of assemble and disassemble are found through the costumes of Bazzar. James was also heavily influenced by the stage's geometric design itself. James Lavoie, the costume designer for Bazzar, was inspired by early history of Cirque du Soleil as street performers. Not only is to make it easier for set up and to travel and perform in smaller cities, but it is a homage to the earlier tents used by Cirque du Soleil.
The Grand Chapiteau is a smaller than the usual Cirque du Soleil tent. Bazzar's set design is a geometric design and has more interactive elements with the performers.
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